TelepromptmeTelepromptmeTelepromptme how-to guide

How to use Telepromptme

A screen-by-screen tour of Telepromptme: what every control does and how to get the take you want. The guide is written for the Mac, with a note wherever iPhone and iPad work differently.

macOS iPhone & iPad notesUpdated 18 September 2026

01Quick start: your first take in five steps

Telepromptme is a teleprompter you control. You choose how the words move, so there is nothing to train and nothing to calibrate. Here is the shortest path from a blank library to a finished recording.

A ten-minute tour of the whole app, if you would rather watch than read. How to use a teleprompter: a beginner's guide
  1. Open Telepromptme. On the Scripts tab click Create (top right), type or paste your script, then click Save and give it a name.
  2. The teleprompter opens. Pick how it should scroll with the mode button in the dock: Speed for a steady pace, Timer to finish in a set time, or Manual Page to turn pages yourself.
  3. Set the text size so you can read it from where you will be standing, using the text-size control in the dock.
  4. Choose Play, Record or Record Audio in the dock, depending on whether you also want a recording.
  5. Press the big round button, or Space, and start reading. Press it again to stop. Recordings appear on the Recordings tab.
The Scripts tab. Your library, with folders down the side and the search, sort and view controls above.

02Finding your way around the library

The app has two or three tabs along the bottom: Scripts, Recordings, and Remote when you have turned remote control on. Scripts is where you start.

The script and recordings manager in full, including search and organising. How to keep your scripts and recordings organised
Write it on your Mac. Read it on your iPhone.

Above the list

Search scripts
Searches your whole library, not just the folder you are looking at.
Filter by folder
All Scripts, Unfiled, Recent, or one of your folders. On a wide window this is a sidebar instead.
Sort scripts
By Name, Modified, Created or Folder, Ascending or Descending. New libraries sort by Modified, newest first.
Grid / List / Table
Three ways to see the same scripts. Table is the one to use when you have a lot of them, because you can sort by clicking a column heading.
Script queue
Opens the queue, where you set up several scripts to run in order.
List keeps the folder grouping but fits far more on screen than Grid.
Table drops the grouping for one flat list you can sort by clicking a column heading.
Sorting is two choices: what to sort by, and which direction.

Recent collects anything you have opened, changed or created in the last thirty days, which is usually the fastest way back to what you were working on.

Folders, renaming and tidying up

Right-click a script (touch and hold on iPhone and iPad) for everything you can do to it: Move to Folder..., Duplicate, Rename, Edit Script, Export and Delete Script. You can also drag a script straight onto a folder to file it.

The script menu. Select several scripts first and the same actions apply to all of them.
Move to Folder... takes a new folder name, or pick one of your existing folders underneath.
  • To rename without opening the menu, click the name on the tile and type over it. Return saves, Escape cancels.
  • Select several scripts and the menu acts on all of them at once, with the count shown in the item, such as Delete (N).
  • Folders have their own menu on the sidebar: Rename Folder and Delete Folder and Scripts…

The script queue

Building a queue and running several scripts back to back. How to record several videos in one sitting
Singing a set? Queue your scripts.

A queue is a running order. Add scripts or whole folders, make the queue active, and the prompter moves through them in sequence instead of stopping at the end of each one. It suits a show with several segments, or a day of takes you want to work through without going back to the library each time.

A queue. Pick it on the left, add scripts or whole folders from the middle, and the running order builds up on the right.

03Writing and editing a script

There is no separate editor window. You edit in the teleprompter itself, which means what you see while writing is exactly what you will see while reading.

Writing and editing in the built-in editor, including the AI assistant. How to write a script that reads well on camera

To write a new script

  1. Click Create on the Scripts tab. The teleprompter opens ready for typing.
  2. Type or paste your text. Use the font bar to set the typeface, bold, italic and colour.
  3. Click Save. Give the script a name, and optionally a folder, then confirm.

To change a script later, open it and click Edit. While editing, Save keeps your changes and Cancel throws them away and puts the script back exactly as it was.

Editing. The floating bar sets the typeface, bold, italic and colour for whatever you have selected. A size slider joins it when the script is in magnification mode.
Naming a script. You can type a new folder name or pick an existing one from the list underneath.

Names cannot start with a dot or contain a slash or a colon. Anything else is fine, and a name that already exists is quietly given a number rather than overwriting your work.

The AI Assistant

Let Apple Intelligence punch up your script.

On recent versions of macOS and iOS with Apple Intelligence switched on, AI Assistant can help draft or tighten a script. Open it with a script loaded and it offers to improve what you have; open it with nothing loaded and it will help you start from scratch. It works section by section on a long script, and you always get to accept or reject the result.

AI Assistant. Opening it with a script loaded asks it to improve what you have; the result comes back in a card you can Copy or send straight to the prompter with Teleprompt.

Pasting from elsewhere

Text pasted from a word processor often brings unwanted colours and spacing. Two settings deal with that, and both are on to begin with: Fix colors on paste normalises the colours so light text does not vanish against the prompter background, and Paragraph Formatting re-applies your own alignment, line spacing and indents.

04Importing a script you already have

If the script already exists as a file, bring it in rather than retyping it. Click Import on the Scripts tab, or drag the file straight onto the library.

Importing from PDF, RTF and plain text, and tidying up what arrives. How to import a PDF or Word script into a teleprompter
FormatMaciPhone & iPad
Plain textYesYes
Rich text (RTF)YesYes
PDFYesYes
Word (.doc and .docx)YesNo

Drag several plain text or rich text files in at once and they are all added straight to the library, each named after its file. A single file, or any PDF, goes through the import screen first and then opens ready to save.

Importing a PDF

Turn any PDF into a teleprompter script.

PDFs are the awkward one, because some carry real text and some are just pictures of text. The import screen asks you to pick the option that best matches your file.

Document
For a PDF made from a word processor. Takes the text layer directly, which is the fastest and most accurate route when it works.
Actor
For a classic black typewritten script.
High
Reads black text only.
Medium
Reads text of any colour.
Low
Reads everything it can find. Use this when the others miss lines.
The PDF chooser. Start with Document; the others read the page as an image at decreasing strictness.

There is no paste-to-import command. To bring in text from the clipboard, create a script and paste into it.

05The teleprompter screen

This is where you actually present. The script fills the screen, a floating dock sits along the bottom, and everything else gets out of the way once you start.

The prompter. The dock carries the mode selector, the scroll controls, the play button, a status chip and the text-size controls.

The dock, left to right

Play / Record / Record Audio
What pressing the big button will do: prompt only, prompt while recording video, or prompt while recording audio.
Scroll mode
The icon shows the current mode: a speedometer for Speed, a clock for Timer, an arrow for Manual Page. Click it to change mode. In Speed a slider sits next to it; in Manual Page two chevrons sit there instead.
The big round button
Start and pause. It shows a progress ring as the script scrolls, and turns into a red stop button while recording.
Status
Ready, Playing, Paused, Recording and so on, so you can tell at a glance what the app thinks is happening.
Text size
The font mode button and its slider. See the section on text size below, because this button does two quite different things.
More teleprompter actions
The ellipsis at the end: mirroring, margins, captions, stickers, and on a Mac the duplicate prompter and screen mirror.
The more-menu. Anything here except the media items can be promoted onto the dock in settings.
Teleprompter options holds the per-script margins and the flip controls. These belong to this script alone.

The reading position is marked for you. Settings gives you a Pointer in the margin (a Triangle or a Rectangle), and a Pointer Box that is either a Box outline across the reading line, a Letterbox that dims everything above and below it, or None.

Adjust margins puts handles on the edges and corners. Drag an edge for one margin, a corner for two.
Mirror horizontally, for a beam-splitter rig. The dock and nav pill mirror too, because Mirror Controls is on; turn that off in settings to keep them the right way round.

06The three ways to scroll

Telepromptme does not listen to you. You decide how the script moves, and there are exactly three choices. Click the mode icon in the dock to switch between them. The choice is remembered per script, so a two-minute piece to camera and a long talk can each keep their own setting.

Click the mode icon in the dock to pick Speed, Timer or Manual Page.

Speed: a steady pace you control

The script scrolls at a constant rate and you set the rate with the slider beside the mode icon. The scale runs from 1 to 100; it is a dial rather than a real-world measurement, so find the number that suits you and stay with it. New scripts start at 20.

  • The slider takes effect immediately, even mid-take, so you can nudge the pace while you read.
  • For an exact number, right-click the mode icon (long-press on iPhone and iPad) and choose Enter speed…. The box accepts anything between 1 and 100, then click Set Speed.
  • Keyboard: the default keys are - to slow down and ] to speed up, one step per press.
Right-click the mode icon for the exact value. The header shows where you are now.
Enter Speed takes anything from 1 to 100.

Timer: finish in a set time

Got exactly 60 seconds? Make the script fit.

Tell the app how long you have and it works out the pace for you, scrolling so the script finishes exactly as the clock runs out. There is no speed slider in this mode, because the length of the script and the time you set decide the pace between them.

  1. Switch the mode to Timer. The clock in the top-right appears automatically, whether or not you normally show it.
  2. With playback paused, click the clock. A small pencil shows when it is editable.
  3. Set Hrs, Min and Sec on the Set Timer picker. There is no confirm button: the duration is saved as you change it.
  4. Press play. The clock now counts down rather than up.
Set Timer, reached by clicking the clock while paused.
Timer running. The clock counts down, the navigation hides, and the dock collapses to just a pause button once you stop touching it.

If the time you ask for is so long that the text would barely creep, the app stops and tells you so, with Scrolling too slow to see it move. Change speed / duration. Shorten the time, or use Speed instead.

Manual Page: nothing moves until you say so

In Manual Page the script does not scroll at all on its own. You move it a page at a time, which suits an unpredictable delivery: a talk with questions from the floor, a demo where you do not know how long a step will take, or notes you only dip into.

  • Two chevrons appear in the dock where the speed slider normally sits. They move the script up and down.
  • A page is a little over half a screen, so the line you were reading stays in view.
  • Keyboard: Up and Down by default. A hardware remote or a clicker mapped to those actions works too, which is what makes this mode practical from a lectern.
  • A soft grey band marks the middle of the view so you can see where the next page will land.
Manual Page. The grey band marks the page area, and two chevrons replace the speed slider.

07Two ways to change the text size, and why it matters

The text-size button in the dock has two modes, and they do genuinely different things to your script. Picking the wrong one is the quickest way to lose formatting you meant to keep, so it is worth a minute to understand the difference.

One click on the icon switches between the two modes. The icon tells you which one you are in.
Font sizeMagnification
Icon in the dockA letter with size marksA letter with a magnifying glass
What it doesSets every word in the script to one exact sizeMultiplies whatever size each word already is
Mixed sizes in your scriptFlattened to a single sizeKept in proportion
The slider readsA number, 20 to 300A multiplier, 0.25× to 4.00×
Where the slider sitsAt the script's current sizeAlways back at 1.00×
The same control in both modes. Top: font size, where the slider sits at the script's actual size. Bottom: magnification, where it always returns to 1.00×.

Font size: one size for everything

In this mode the slider is an absolute setting. Drag it to 90 and every word in the script becomes 90 point, whatever it was before. That is exactly what you want for a plain script you just need to read comfortably from where you are standing.

The catch is in the word every. If you had made your headings larger than the body, or dropped a stage direction down small, this mode flattens all of it to the one size, and that is a change to the script itself.

Magnification: bigger, but in proportion

In this mode the slider is a multiplier, not a size. At 1.25× everything grows by a quarter: your large headings stay proportionally larger, your small notes stay proportionally smaller. Nothing is flattened.

The slider always starts at 1.00× and springs back to 1.00× as soon as you let go, because it has just been applied. That is not a bug, and it does mean the effect stacks: drag to 1.25× three times and the text ends up roughly twice its original size.

Typing an exact value

Right-click the text-size icon, or touch and hold it on iPhone and iPad. The menu shows the current value and offers Enter font size… or Enter font magnification… depending on the mode you are in. Sizes run from 20 to 300, magnification from 0.25 to 4.00.

The same menu on the text-size icon. Note the header says Font size whichever mode you are in; the value tells you which it is, a plain number or a multiplier.
In magnification mode the box asks for a multiplier, from 0.25 to 4.00.

Both are changes to the script, and both are saved. Neither is a temporary zoom that wears off when you close the prompter, so if you enlarge a script to read it across a studio it will still be that size next time you open it.

08Keyboard, clickers and remotes

Reaching for a trackpad mid-take is the thing most likely to spoil a recording, so almost everything on the prompter can be driven from a key or a button.

The keys as they come

Space
Start and pause
Up
Page Up
Down
Page Down
-
Decrease Speed, one step
]
Increase Speed, one step
Q
Skip Top, jump to the start
A
Skip Bottom, jump to the end

Keyboard control is ignored while you are editing a script, so you cannot start a take by accident while typing.

You can change any of these. Settings has a Hardware Remote and Keyboard Mapping section: pick the action you want, then press the key you want it on. One key does one job, so assigning a key takes it away from whatever had it before.

Every action and the key it is on. Click one, then press a key to reassign it.

Clickers and presentation remotes

Most presentation clickers simply send ordinary keys such as the arrows, Page Up and Page Down, or the space bar. Those work straight away with no setup at all: map the action you want onto the key your clicker sends.

Two kinds of remote need a switch turning on first, both in the same settings section.

Use media buttons on hardware remote
For remotes whose buttons are Play/Pause, Next and Previous. macOS only hands those buttons to whichever app is playing media, so while the prompter is open Telepromptme takes that role and your remote will not control music for that time.
Use scroll buttons on hardware remote
For ring-style remotes that behave like a mouse. On a Mac the pointer has to be over the prompter window for these to be heard.

09Recording while you prompt

Telepromptme can record you reading, so the prompter and the camera are the same app and you never have to sync anything up afterwards. Pick Record for video with sound, or Record Audio for sound alone.

Recording while prompting: camera, resolution and reviewing a take. How to record a video while reading from a teleprompter
Record yourself while you read. One app.
Shooting for TikTok on a Mac? Check your crop first.
Move yourself anywhere in the frame.
  1. Choose a camera and microphone in settings first. Without them the app will stop and tell you so.
  2. Open a script and set the mode selector in the dock to Record or Record Audio.
  3. Press the big round button. If you have a countdown switched on, it runs first and the button becomes a cancel button.
  4. Read. Press the button again to stop; it turns red while recording.
  5. The take is saved automatically and appears on the Recordings tab, named after the script.
Record mode. The self view appears so you can check framing, and the big button becomes a record button. The mode selector on the left decides what it does.
With Perform Countdown on, a numeral fills the screen before scrolling starts. The big button becomes a cancel button while it runs.

How you appear

Default View
What the camera does on a new script: No Camera, Inset Self View in a corner, Background Self View filling the screen behind the words, or Audio Only.
Self view mirrored
Shows you the mirror image you are used to seeing. It affects only what you see, not what is recorded.
Camera background
Replace what is behind you: Blur, a Colour, an Image or a Video.
Filters
A look applied to the picture, from B & W and Noir through to Vivid, Warm and Cool.
Video Quality
480p through to 8k, depending on what your camera can do.
Camera background. The two Video tiles are the same thing with and without sound.
Twelve looks, applied live to the picture. None turns it off again.
Captions and background replacement in detail, including when to apply them afterwards. How to burn captions into a video, and drop the background
Your script becomes your captions. Automatically.
Word pop. Word highlight. Your captions, your style.
No green screen. No problem.
Custom captions are drawn onto the picture and can be styled and dragged into place. Native writes a track viewers can switch off instead.
Stickers sit on top of the picture and are saved with the recording.

Sound is worth a moment of thought. Audio Quality runs from Good up to Lossless, Audio Channels offers Mono or Stereo, and Noise Reduction has Off, Light and Strong. Light quietens background hiss while keeping a natural tone; Strong is the most aggressive and records in mono.

Continue recording (secs) keeps the camera running for a few seconds after the script ends, which saves you losing the last word to an abrupt cut.

10What you can do with a take

The Recordings tab works like the scripts library: search, folders, sorting and the same three view styles. Open a recording to play it, and a dock of editing tools appears underneath.

The Studio editing tools end to end: trimming, cutting, captions and filters. How to edit a talking-head video without a separate editor
There's a whole video editor inside.
The Recordings tab. Takes are named after the script they came from, with the folder, date, length and size beside them.

The editing tools

Trim
Cut the dead air off the start and end. The quickest and most common fix.
Captions
Generate subtitles from the audio, or reuse the script text you were reading, which is usually more accurate.
Remove background
Replace what is behind you after the event rather than during it.
Filters
Apply a look to the finished video.
Stabilize
Smooth out a handheld or knocked camera.
Add Clips
Join other takes on to this one.
Studio
The full editor: several clips on a timeline, music, speed, colour and volume adjustments.
Exporting a finished take, and the quality settings worth choosing deliberately. How to use a teleprompter app on your Mac
One recording. Every platform.
The recording menu. Stitch joins several takes into one, and Get Info shows the codec and channels.
A take open for review. The dock underneath holds the editing tools; this one has a replaced background, stickers and burned-in captions.
Studio, for anything more than a trim. Each row is a track you can edit independently: captions, stickers, the replaced background, filters and an overlay clip. The inspector on the right holds speed, volume automation, stabilisation and colour.
Cropping and reframing. The presets cut straight to the shapes each platform wants, and Ken Burns sets a slow move between a start and end frame.
The background is a track of its own, so it can change during the take. Quality, Edge and Smoothness trade tidiness of the cut-out against how hard your Mac has to work.
Captions are editable one at a time: fix the wording, and set when it appears and disappears. Sentences or Words decides how the text is broken up.

When you are happy, export. The sheet offers ready-made presets for the places people usually post: Current keeps what you shot, and there are portrait and square presets sized for TikTok, Instagram Reels and LinkedIn, each showing the aspect, the resolution and the file size you will get.

Export presets. Current keeps the framing you recorded; the rest crop and resize for a particular platform.

All export options opens the full set, where you can set an exact resolution, choose Landscape or Portrait, pick a codec and even aim at a target file size.

11Prompting on a bigger screen, and driving it from elsewhere

Reading from a laptop on a desk is fine for a quick take. For anything staged you will want the words somewhere else, and the controls in your hand.

Mirroring the text and driving a second display for a beam-splitter rig. How to mirror teleprompter text for a beam-splitter rig
Got a teleprompter rig? Flip it.
Send your script to any screen.
Screen Mirror, step one: which screen to send.
Step two: where to send it. Both steps show your actual display arrangement.

Using a phone or tablet as the remote

Turn on Remote / Watch Enabled in settings on both devices and they will find each other on your local network. A Remote tab appears, and from it you get a control panel with the transport buttons, the scroll-mode picker, the speed and text-size sliders, and the script text if you want it.

The Remote tab while it looks for another device. If it keeps waiting, check the setting is on at both ends.
Once both ends have it switched on, the other device appears under Available.
Control Centre: what you can drive on the other device. More tiles appear while it is prompting.
Its library, live. Pick a script here and the other device opens it.

The Apple Watch app

There is a watch app, which is the neatest option when you are standing up and away from the machine. It gives you play and pause, taps at the edges to jump to the top or bottom, and the Digital Crown sets the scroll speed, which is a genuinely good way to ride the pace during a talk.

12Every setting, section by section

Settings is the gear in the top bar. General holds your plan, the app's language and your devices; Advanced holds everything that changes how prompting looks and behaves. There is a search box at the top of Advanced, which is much faster than scrolling.

General: your plan, the app's own language, and which camera and microphone to use.

General

Display Language
The language of the app itself, independent of your system language.
Spoken Language
Used when transcribing audio to make captions. It follows the display language until you change it.
Theme
Auto, Dark or Light. It starts on Dark, which suits a prompter.
AI Assistant
Turns the writing assistant on and off. On by default where the device supports it.
Camera / Microphone / Video Quality
The devices used for recording, and the capture resolution. Set these before your first take.
Remote / Watch Enabled
Lets this device drive another, or be driven by a remote or the watch. Off until you turn it on.

Text Display and Playback

Built for dyslexic readers.
Mirror Controls is the one to check if you use a glass prompter: it decides whether the dock mirrors along with the text.
Show scroll bar
A slim bar down the edge. On a Mac you can drag it to scrub through the script.
Flip text horizontally / Flip text vertically
The app-wide defaults for mirroring, for beam-splitter rigs.
Mirror Controls
Whether the dock and pointers mirror with the text. On by default.
Start from top on play
Whether pressing play always jumps back to the beginning.
Perform Countdown / Countdown seconds
A countdown before scrolling starts, so you can settle before the first word.
Show StopWatch
Shows the clock even outside Timer mode, counting up.

Pointer and camera

The reading marker, and how you appear on camera. Pointer Box set to Letterbox dims everything except the line you are reading.

Filters, window and recording

Read your script over video conference. Nobody knows.
Sound settings live here too: Audio Quality, Audio Channels and Noise Reduction.

Text formatting

Dyslexic Mode switches to a cream background with dark text. Font Size here is the default for new and imported scripts, not the dock control.

Remotes and captions

Caption type decides whether captions are a track viewers can switch off, or drawn permanently onto the picture.

Dock buttons

Promote the actions you use most out of the more-menu and onto the dock itself. Promoted items leave the menu.

Defaults for new scripts

These apply to new scripts only. Changing them does not touch anything already in your library.

13Lite, Pro and Pro Plus

There are three plans. Lite is free and is a real working prompter, not a countdown to a purchase. Pro removes the limits on how much you can keep and how long you can run. Pro Plus adds the production features.

LiteProPro Plus
Scripts you can keepOneUnlimitedUnlimited
Length of a scrolling session30 secondsUnlimitedUnlimited
Recordings you can keepOneUnlimitedUnlimited
PDF importFirst pageWhole documentWhole document
Remote control & Apple WatchYesUpgrade neededYes
Camera background & filtersYesUpgrade neededYes
Captions & Studio editingYesUpgrade neededYes
Duplicate prompter & Screen Mirror (Mac)Upgrade neededUpgrade neededYes
The app's own comparison. Read trial in the Lite column as “the free plan can use this”: it is not a countdown, and there is no time-limited trial in the app.

That table has one genuinely surprising row, so it is worth saying plainly: several of the production features are available on the free plan but not on Pro. Pro is aimed at someone who wants an unlimited prompter and recorder; Pro Plus is the one that keeps the production features permanently.

The thirty-second limit on Lite applies to any scrolling session, not only to recording, so it is the limit you will meet first.

14iPhone and iPad differences

This guide is written for the Mac. Telepromptme is the same app on iPhone and iPad, with the same three scroll modes, the same text-size controls and the same recording. What follows is everything that is genuinely different.

Getting around

Tabs instead of windows
Settings, the queue, the assistant and the Studio editor push onto the screen rather than opening their own windows. On a Mac each of those is a separate window.
Sharing instead of exporting
Where the Mac says Export and asks for a folder, iPhone and iPad say Share and hand the file to the share sheet.
Touch instead of pointer
Where this guide says click, tap. Where it says right-click, touch and hold. That is how you reach Enter speed… and Enter font size…

Different defaults

Bottom margin
New scripts start with a 60 percent bottom margin, so the text sits in the upper part of the screen where a phone camera is. On a Mac it starts at zero.
Camera
A new script shows the camera behind the words by default. On a Mac it starts with no camera.
The prompter on iPhone. The same dock, stacked into two rows to fit.
Captions and stickers are edited on the phone too, with the same timeline.

The floating prompter

On iPhone and iPad the prompter can leave the app. Touch and hold the play button in the dock and choose Play Floating: the script moves into a small picture-in-picture window and keeps scrolling on top of whatever you open next, a video call, a livestream, another camera app or your slides.

A teleprompter that floats over any app.

To float the prompter

  1. Set speed, text size and margins first. The window is small, so go a size or two larger than you would full screen.
  2. Touch and hold the play button in the dock.
  3. Choose Play Floating. The script shrinks into a floating window and starts scrolling.
  4. Switch to the other app. Drag the window to the corner nearest the camera, and pinch to resize it.
  5. Tap the window to come back to the full prompter.

Things only iPhone and iPad have

  • A floating prompter. Touch and hold the big button and choose Play Floating to put the script in a picture-in-picture window that stays on top while you use another app.
  • Mirror front camera, for the front camera only.
  • The click button on a mouse-style remote can be mapped, which a Mac cannot do.
  • On iPad, Use multiple windows opens settings, recordings, the queue and Studio in their own windows, much like the Mac.

Things only the Mac has

  • Duplicate prompter and Screen Mirror, so the paywall marks those two as Mac-only.
  • Transparency for floating the prompter over a video call, and Teleprompt always in front.
  • Word documents. iPhone and iPad import plain text, rich text and PDF only.
  • Dragging a script out to the Finder, and marquee selection in the library.
An iPhone driving a Mac. Top and End, page buttons, the Speed / Timer / Manual Page picker and both sliders, with the script mirrored above.
The same panel on iPad, with room for more of the script.
The watch app: pick the device, then play and pause. The Digital Crown sets the scroll speed, and the number under the button is the speed you are on.

15When something is not working

Most problems come down to the scroll mode, the text size, a device that was not chosen, or a permission that was declined.

The script will not scroll

  • Check the mode. In Manual Page nothing moves on its own; that is the point of it. Use the chevrons or the arrow keys.
  • In Speed, check the slider is not at 1. At the very bottom of the range the text creeps almost imperceptibly.
  • In Timer, a long time set against a short script gives the same effect. The app warns you when it is too slow to see.
  • If the script is only a few lines it may not be long enough to scroll at all, and the app will say so.

The text changed size and my formatting is gone

  • You were probably in font-size mode, which sets every word to one size and flattens any sizes you had set deliberately.
  • Undo is not available for this, so if the script matters, duplicate it before experimenting.
  • Use magnification instead when you want to keep relative sizes. See the text size section for the full explanation.

It will not record

  • A camera and microphone have to be chosen in settings. The app stops and offers to open settings if they are not.
  • macOS and iOS ask for camera and microphone permission the first time. If you declined, grant it in System Settings and restart the app.
  • On the free plan you can keep one recording. Delete or export the one you have to make another.

The remote or watch cannot find the prompter

  • Remote / Watch Enabled has to be on for both devices, not just the one holding the remote.
  • Both have to be on the same network, and the app asks for local network permission the first time.
  • The controlling device needs the remote feature on its plan.

Still stuck? Settings has Go to FAQ and Support, and Watch How-to Videos for the same ground covered on screen. The version number at the bottom of settings is worth quoting if you write in.

Still stuck?

Check the FAQ, or email us: we're a small team and we read every message.

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